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Jerald Melberg Gallery is pleased to present the eighth solo exhibition of abstracted landscape paintings by Brian Rutenberg. With these new oil paintings on linen and paper, the artist returns once again to his reflections on the landscapes of the South Carolina Low Country.

Rutenberg states, All of the paintings in this new series called ‘Point of Pine’ are meditations on imaginary trees as seen through veils of South Carolina Lowcountry heat. The solitary tree has been a primary image in my work for forty-five years; my first paintings were watercolors of a loblolly pine near my childhood home in Myrtle Beach…Little did I know, the directness and simplicity of those studies would provide me with a lifetime of imagery.

A South Carolina native, Rutenberg received a BFA from the College of Charleston and an MFA from the School of Visual Arts in New York City. He was awarded an honorary doctorate from the College of Charleston and delivered the commencement speech in the spring of 2018. Among his numerous awards and achievements, he is a Fulbright Scholar, a New York Foundation for the Arts Fellow and an Irish Museum of Modern Art Work Programme Recipient. Since 1985 Rutenberg has been honored with over 100 gallery and museum exhibitions across the United States, including the Hoyt Center for the Arts, Saginaw Art Museum, the Gibbes Museum of Art, Butler Institute of Art and Greenville County Museum of Art.

Jerald Melberg Gallery proudly presents an exhibition of new landscape paintings by veteran gallery artist, Thomas McNickle. This is the artist’s fifteenth solo exhibition with the gallery. 

This new body of work centers on a picturesque pond near the artist’s home in western Pennsylvania Amish country.  McNickle says:  The core of this exhibition is a group of paintings of the pond and its wonderful reflective beauty.  I have painted it in the crisp morning light, the heavy air of afternoon and the warm glow of evening.  I have painted it in the spring, summer and fall.  As I painted, I realized how completely suffused my aesthetic had become by this small, intimate place that nature had given me.  It has been a most cathartic experience. 

Thomas McNickle’s exceptional technical ability has been evident since he first began painting in his teens.  His work has been exhibited in over one hundred museum and gallery exhibitions and can be found in numerous collections including Butler Institute of American Art, Hoyt Art Center, Vero Beach Museum of Art, Kansas State University, Gibbes Museum of Art, The Mint Museum, and Morris Museum of Art.

An exhibition of Spring-themed works by Hunt Slonem, Mike Hammer, Ivan Loboguerrero and other artists.

“Symbolic Transfiguration,” a new sculpture series by Italian artist Oriano Galloni, is now on view through May 1 at Rosenbaum Contemporary (150 Yamato Road, Boca Raton, Fla.)

“The ‘Symbolic Transfiguration’ sculptures are a descriptive symbolic language to translate a spiritual elevation feeling; the soul that evolves and generates another soul by completing a transfiguration path of achievement,” Galloni said.

Galloni’s work has been exhibited in Italy, Germany, South Africa, England, Canada, France, China, Singapore, Switzerland, Monaco and the United States, including the Guggenheim Museum in New York and the Grand Rapids Public Museum in Grand Rapids, Michigan.

Symbolic Transfiguration can be viewed in person during regular gallery hours, Tuesday through Saturday, 10 a.m. to 5 p.m. and online at www.rosenbaumcontemporary.com.

Montage: An Exhibition of Contemporary Photographers, featuring works by Ulrich Knoblauch, Ben Fink Shapiro, Will Nichols and Donald R. Harivel, is now on view through April 3 at Rosenbaum Contemporary (150 Yamato Road, Boca Raton, Fla.)

Ulrich Knoblauch regularly collaborates with Self Service, Paris Vogue, Rag & Bone, Givenchy, Mugler, Isabel Marant, Lacoste, Victoria Beckham, Alexander McQueen and Margiela among others.

Ben Fink Shapiro has shot numerous celebrity portraits and fashion campaigns and has published editorial work in American Vogue, British Vogue, Korean Vogue, Palm Beach, Bal Harbour, Hamptons and other art and fashion publications.

Will Nichols draws parallels between palm trees and basketball in his fine art photography. He was commissioned by the Los Angeles Clippers to take courtside photos in 2016.

Donald R. Harivel has developed a unique aesthetic distinguished by his intense attention to detail and vantage points, often raising otherwise mundane views to the level of fine art by capturing them at just the right moment.

Montage will include Knoblauch’s fashion and portrait photography, portraits and landscape photography by Shapiro, works from Nichols’ Palm Trees & Basketball series, and Harivel’s landscape photography.

The exhibition can be viewed in person during regular gallery hours, Tuesday through Saturday, 10 a.m. to 5 p.m. and online at www.rosenbaumcontemporary.com. Groups of up to four people who are quarantining together can make arrangements for a private viewing by calling (561) 994-9180. Appointments can also be made for personal Zoom tours by calling (561) 994-9180.

Rosenbaum Contemporary, founded in 1979, is based in Boca Raton, Florida. The gallery caters to international collectors interested in investment-quality works by Postwar, Modern and Contemporary masters and presents nationally recognized museum-level exhibitions throughout the year. The gallery also offers a wide range of free services to collectors worldwide including acquisition advice, art consulting, sourcing of artists, art collection building and management and resale of select works of art.

“Survey,” an exhibition of works by Slovakian artist Juraj Kollár, is on view at Rosenbaum Contemporary (150 Yamato Road) in Boca Raton, Fla., through March 27. It is Kollár’s first solo exhibition in the United States.

According to art historian Katarina Bajcurová, Kollár is regarded as “the most naturally gifted and pertinacious painter of his generation” as well as “the central figure of young…contemporary painting in Slovakia.” Kollár’s works can be found in the collections of the Slovak National Gallery and the National Gallery in Prague and have been exhibited in prestigious art fairs including Art Cologne and SP–Arte.

“In the course of a few years he has managed to create, to paint, a relatively respectable body of work…and to achieve a number of prestigious awards in Slovakia, the Czech Republic and Germany,” Bajcurová said.

Kollár simultaneously works in multiple genres including landscape/”non-landscape,” figurative, pixilation and non-objective abstracts, and has developed innovative processes unique to each.

The exhibition at Rosenbaum Contemporary presents a survey of representative works from each of his major genres.

Kollár’s landscapes/”non-landscapes” are painted from the perspective of looking out through a window upon abstraction versus looking “in” to the painting. Though he works from photographs, Kollár’s paintings are not photorealistic. He employs various methods to distort the image and create abstraction. Some works are painted through breeze block walls, either through an existing wall or one that he creates in the environment. The resulting effect breaks the scene into multiple abstract components that, together, form a cohesive whole. In painting his landscapes, Kollár also adds elements that were not in the original scene, but that he feels should be there.

“I fill space with obstacles, which redefine, deform, or veil the visual perception of reality,” Kollár said. “I am trying to capture the light-atmosphere and the physical feeling of the state of an event.”

Even when painting from a photograph, he deliberately retains the grain to diffuse and blur the picture to capture the overall atmosphere of the scene versus its details.

The figurative works in the Survey exhibition come from Kollár’s Thoughtful series, life-size portraits of students at Harvard listening to a lecture on Imannuel Kant’s “Critique of Pure Reason,” which Kollár painted from a video he downloaded from YouTube. His goal was to capture each student’s personality using just a few brushstrokes while capturing each at the exact moment of thinking about the lecture they heard.

Kollár’s pixelated pictures, a cross between pointillism and impressionism, incorporate construction netting, either painted through and removed or painted on and left in place, which has the effect of supporting the paint, enabling him to apply much more pigment than could be supported by the canvas alone. When his landscapes contain figures, they are often blurred so as to “melt” into the work.

Kollár’s non-representational paintings contain no ties to objective reality and are often titled only with numbers. They result, not from an idea, but from his process and are explorations of how the paint works as a physical material on the canvas including how it occupies space, how it responds to gravity, light, and other colors, and how it can be manipulated by brushes and other instruments and materials. The resulting compositions express a mood, and these experiments in abstraction often make their way into Kollár’s other works.

“Survey” can be viewed during regular gallery hours, Tuesday through Saturday, 10 a.m. to 5 p.m., as well as online at www.rosenbaumcontemporary.com. Groups of up to four people who are quarantining together can also make arrangement for a private viewing by calling (561) 994-9180. Appointments can be made for personal Zoom tours by calling (561) 994-9180 as well.

Rosenbaum Contemporary, founded in 1979, is based in Boca Raton, Florida. The gallery caters to international collectors interested in investment-quality works by Postwar, Modern and Contemporary masters and presents nationally recognized museum-level exhibitions throughout the year. The gallery also offers a wide range of free services to collectors worldwide including acquisition advice, art consulting, sourcing of artists, art collection building and management and resale of select works of art.

Jerald Melberg Gallery is proud to present an exhibition of abstract paintings by Katherine Boxall.  This is the artist’s inaugural solo exhibition with the gallery and a catalogue has been published for the occasion. 

A Canadian native, Boxall holds a MFA from the San Francisco Art Institute. After moving to Charlotte in 2018, Boxall immediately began constructing her intelligent, expressive paintings using a mix of materials: acrylic, spray paint, pastel and oil.

Of this new body of work, Boxall says:  The paintings in this exhibition were created in my warehouse studio in Charlotte, North Carolina, during the 2020 pandemic. The work is influenced by the unusual grounding experience we all find ourselves in, but also a series of nomadic camping trips that my partner, dog and I have been undertaking across the United States this year. Being from Canada and far from ‘home’, these paintings memorialize moments of novelty and escapism living, working and traveling in America.

During Boxall’s academic years she was the recipient of numerous honors and awards, including the Elizabeth Greenshields Foundation Artist Grant and the San Francisco Art Institute MFA Fellowship. Boxall’s work has been featured in exhibitions across Canada, Australia and the United States, most recently in a solo exhibition at the Mint Museum.

Planetary Visions: Mira Lehr from Spaceship Earth presents recent artwork by Mira Lehr, including new works created during the COVID-19 lockdown in Spring 2020.

An exhibition pairing Louise Nevelson’s monochromatic black sculptures with James Little’s new series of large-scale, black-toned paintings

Jerald Melberg Gallery is pleased to present a series of twelve 12-inch square paintings by Chris Clamp. These paintings continue the artist’s explorations of both realism and object portraiture.  For the first time, the exhibition will also include several studies, both in graphite and oil, allowing the viewer to get a sense of the artist’s process from conception to completion.

Chris Clamp has a singular and poignant vision which stems from his love of family, sense of inquisitiveness and keen interest in sometimes quirky, sometimes whimsical, but always personal, objects. The clarity of light and pureness of color that Clamp achieves in his paintings give them a surface that is both beautifully crafted and uniquely his own.

Join us for a virtual Coffee & Conversation with Chris Clamp live streaming on Facebook (@jeraldmelberggallery) and Instagram (@jeraldmelberg) Saturday, August 8, at 11am.