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Bert Green Fine Art is pleased to present our first solo show of Los Angeles-based painter Nicole Etienne, guest curated by Alix Sloan of Sloan Fine Art in Los Angeles.

 

Nicole Etienne’s paintings are amalgams of paint and photography. She covers images printed on canvas with painted layers of luscious viscosity, leaving visible parts of the photographic image to facilitate a poetic conversation between the two media. These works ooze sensuality and emotional resonance yet remain fully grounded in the present moment.

 

Alix Sloan opened Sloan Fine Art in New York City in 2008 and now operates as a nomadic pop up gallery doing collaborative exhibitions across the USA. Longtime colleagues and friends, Alix Sloan and Bert Green are pleased to bring Nicole Etienne’s work to Chicago for the first time.

 

All gallery events are free and open to the public. Additional exhibition information, press releases and high resolution images may be found at the gallery website at http://bgfa.us.

Beatriz Esguerra Art is pleased to announce the opening of a solo exhibition of Pablo Posada´s most recent work Lux Tempore on Saturday, May 5, 2018.

 

Pablo Posada artistic practice is composed of two-dimensional and three-dimensional works, sculptures and installations created using innovative techniques on glass, crystal, paper and metals. Using anything from acids, minerals, and oxidations to metals such as bronze and gold, Posada´s abstract pieces have consistently explored those changes that are inherent in time. Continuing his signature modus operandi, Posada embarks with his newer work on a study of the manipulation of light. Light in itself is energy, an electromagnetic radiation that occurs over an extremely wide range of wavelengths, only some of which are visible to the human eye. While the works presented retain many of the hallmark features of Posada´s fascination with light, shadow and time, his newer pieces are marked by his intention to further study the manifestation of light. These newer works evolved quite simply by changing the manner in which he uses certain materials. Here, the gold and silver leaf so familiar in his two-dimensional work are now incorporated into his sculptures, suspended within the glass and crystal, and thus acting as a mirror of the natural light already present in the atmosphere. In contrast, with his earlier work Posada would place light sources underneath his sculptures.

 

Lux Tempore features almost thirty works produced in various locations across the globe, as Posada adheres to a nomadic lifestyle and finds studios in which to carve his sculptures and create his work in anywhere from Japan and Europe to the United States and South America. In great part thanks to the differences he sees across cultures, he is inspired by the profound connections he finds amongst them. His work seek to deliver a sense of harmony and serenity, and a balance between the simple and the complex.

 

Pablo Posada Pernikoff (b. 1964, Spain) was raised between Paris and Bogotá and is a Colombian and French citizen. After pursuing studies in engineering and mathematics, in Colombia and Canada, he traveled to Italy to study design and fine arts. In 1990, Posada moved to Japan, thanks to a number of research grants offered by the Japanese government in Osaka, Kyoto and Tokio. In 1998 he earned a PhD from the Tokyo National University of Fine Arts and Music. He currently does not have a permanent residence.

Color/Line/Form, an exhibition pairing contemporary artists James Little of New York and Louis Vega Traviño of Texas with late renowned masters Kenneth Noland and Cleve Gray, opens May 12, 2018, in Rosenbaum Contemporary’s Boca Raton gallery, 150 Yamato Road, Boca Raton, Fla. The exhibition will be on view through July 9, 2018, and can be seen during regular gallery hours, Tuesday through Saturday, 10 a.m. to 5 p.m.

“Color, line and form are essential, basic elements of any artwork, regardless of genre, artist, school and composition,” assistant director Gabriel Diego Delgado said. “However, when artists draw inspiration from past movements and genres, the present artwork being created holds true to the intentions, aesthetic and validations of the historical lineages; an artistic acknowledgement to the predecessors. Although artists display their distinct aesthetic, a common language is understood in relation to color, line and form.”

James Little’s paintings, with their use of geometry, color, flatness and tension summon jazz music apparitions—haunting main melodies, active counter melodies, ascending offbeats and pulsing rhythms.

Louis Vega Treviño, known as a colorist stripe painter, explores simple geometric alignment with hard-edged and blurred lines—verticals and horizontal selections that invite the viewer into his work of artistic movement, optical illusion and irregular-shaped canvases—all of which are amusingly clever arrangements.

Kenneth Noland was known for his simplified, abstract forms such as chevrons and followed an “interaction of colors” mantra, relying on associations between contrasting and complementary colors to create vibrating edges and dynamic relationships.

Cleve Gray explored abstract gestures, color and emotional resonance, renouncing figurations, and was known for his large-scale sweeps of calligraphy-inspired marks.

Rosenbaum Contemporary, founded in 1979, is based in Boca Raton with a second gallery inside the St. Regis Bal Harbour Hotel in Miami. The gallery caters to international collectors interested in investment-quality works by Postwar, Modern and Contemporary masters and presents nationally recognized museum-level exhibitions throughout the year. The gallery also offers a wide range of free services to collectors worldwide including acquisition advice, art consulting, sourcing of artists, art collection building and management and resale of select works of art.

Compelling views of an inspiring and life-altering nature so close to home

An Exhibition and Sale
May 11–June 2, 2018

Hours: Monday–Friday 10–6, Saturday 10–5 and by appointment

New York (April 26, 2018) – Questroyal Fine Art is pleased to present its second exhibition of paintings by Tom Yost. A highly respected art conservator practicing in Roxbury, Connecticut, Yost’s experience restoring fine oil paintings from the eighteenth to twentieth centuries has allowed him to translate the techniques of the masters into contemplative landscapes for modern viewers.

Inspired by natural environments where human development has done little to alter the landscape, the works displayed in Tom Yost: At the Edge of Truth focus on scenes from the Hudson River Valley in New York State, and the Litchfield Hills in northwestern Connecticut. As the artist explains, “The layering of the mountains and the hills carved out over time present an ongoing challenge and inspiration for me.” These precisely constructed compositions maintain the geometries found in each landscape to achieve realism. Yet in their finished states, the paintings are far more than strict copies, they allow the viewer to experience a sense of place and are evocative of feelings and memories.

Gallery owner Louis M. Salerno finds that Yost’s most recent creations complement Questroyal’s extensive inventory of nineteenth and twentieth century American paintings. “His work is aligned with the American masters of previous centuries, yet presents a distinct and modern perspective that permeates a distracted consciousness to deliver a timeless message.”

Tom Yost: At the Edge of Truth will be on view at 903 Park Avenue from May 11 to June 2. To request the exhibition catalogue call 212-744-3586 or visit questroyalfineart.com/publications.

About Questroyal Fine Art
Questroyal Fine Art’s comprehensive inventory of over five hundred nineteenth- and twentieth-century American paintings is the most diverse in the field. Rather than focusing solely on boldface names, Questroyal offers a full range of talent, from the famous to the relatively undiscovered, spanning the Hudson River School through Modernism.

LOCATION
Pier 94
55th Street and West Side Highway
New York City
 
VIP PREVIEW
Thursday, May 3, 2018 | 2 – 5PM
 
GENERAL ADMISSION
Thursday, May 3, 2018 | 5 – 8PM
Friday, May 4, 2018 | 12 – 8PM
Saturday, May 5, 2018 | 12 – 8PM
Sunday, May 6, 2018 | 12 – 6PM
Leslie Sacks Gallery is pleased to present Charles Christopher Hill Origin Story. The exhibition features the Los Angeles based artist’s iconic stitch-works from the mid-1970s to early-1980s. Eight of these vintage and historical works are on view–some never before exhibited. The stitch pieces are a seminal body of work for Charles Christopher Hill and have informed his evolving oeuvre over the last nearly five decades.
 
The origins of Hill’s interest in materials and stitching cropped up at an early age. As a young child in Pennsylvania, Charles Christopher Hill would sneak to his mother’s sewing machine to tinker and play. He would gather scraps of fabric and create freeform arrangements by letting the machine dictate the direction of the patterns and seams. Later when he attended art school at the University of California, Irvine (1969-1973) he would be greatly influenced by his professors-among them were art world luminaries Ken Price, John Mason, Vija Celmins, Robert Irwin, and Ed Moses. Ed Moses’s interlaced laminated tissue constructions, in particular, inspired Hill to reinterpret and reimagine them through process. He admired the spontaneous, put-togetherness of Moses’s work. Hill began the first iterations of these compositions by gluing large 4×8 foot or 6×8 foot pieces of paper together. Shortly thereafter he moved on from using glue and returning to his roots to employ the sewing machine. He appreciated that sewing represented the idea of a mechanical, rather than a chemical bond.

Eckert Fine Art is pleased to present Relational Sets, a group exhibition. The opening event with the artists will be held from 4-7pm on Saturday, May 12 at 12 Old Barn Road in Kent, Connecticut. The exhibition will continue through June 24, 2018. This show marks the kick off of the Second Saturday at Kent Barns season, and will feature eleven artists who show nationally and internationally, as well as works from two important 20th century artists. The show will span both the main and upstairs gallery spaces.
 
Originally conceived by Jane Eckert, and collaboratively engineered with gallery director Kevin Van Gorp, Relational Sets looks at the enduring impact that Robert Rauschenberg has had on their artistic tastes. Originally hired by Eckert Fine Art in 2003 and staying until 2005 – only to rejoin 12 years later in 2017 – Kevin Van Gorp remained in regular contact with Jane Eckert over the years, and an enthusiastic topic of conversation they would always come to would be the art and life of “Bob”, as he was referred to. Fast forwarding to today, Jane Eckert proposed that the gallery do a show where she and Van Gorp would exhibit artists that were also highly impactful on their sensibilities over the years, while highlighting Rauschenberg as the central component to the exhibition. Van Gorp likened the blueprint of this suggestion to a Venn diagram. Hence, this show features two “sets” of artists that are “relational” to each other through an indispensable art historical precedent.

 

Featuring:  Pedro Barbeito, Lydia Dona, Eric Forstmann, Don Gummer, Fabian Marcaccio, Henry Moore, Chizuru Morii Kaplan, Paul Paiement, Robert Rauschenberg, Alexander Ross, Sidney Russell, David Shaw, and Pedro Vélez.

Casterline|Goodman Gallery will be Exhibiting at Art New York

BOOTH ANY201

May 3 – May 6, 2018 | VIP Preview May 3

 

Casterline|Goodman Gallery is pleased to announce its participation in Art New York 2018.  This will be the gallery’s fourth consecutive year at Art New York.  The booth will feature many great works by prominent post-war and contemporary artists, in addition to a special collection of drawings and sculpture by Richard Serra.  

 

“Art Miami, the preeminent producer of leading international contemporary and modern art fairs, presents the third edition of Art New York and the second edition of CONTEXT New York. The two highly-anticipated events will showcase artwork from more than 150 galleries representing nearly 1,200 artists from 50 countries.  The sister art fairs will take place from May 3-7 at Pier 94, effectively launching New York Art Week, the pinnacle of New York’s art and cultural season.

Art New York provides a fresh alternative for acquiring important, never-before exhibited works from both primary and secondary markets.  The fair welcomes both experienced and new art collectors who are looking to experience a carefully-curated, rich-in-content presentation of the best in the global contemporary art market.”

– Art New York

 

 

Casterline|Goodman Gallery will be showing works by:

 

Mark BRADFORD  |  Jim DINE  |  Sam FRANCIS  |  Adolph GOTTLIEB  |  Simon HANTAI

Damien HIRST  |  Keith HARING  |  Robert INDIANA  |  Alex KATZ  |  Barbara KRUGER  |  John MCCRACKEN

Kenneth NOLAND  |  Gerhard RICHTER  |  Ed RUSCHA  |  Sean SCULLY  |  Richard SERRA  |  Frank STELLA

PLEASE JOIN US FOR THE OPENING RECEPTION:

Preview Exhibition Catalog

Saturday, April 21st, 2018

6 pm to 8 pm

This Exhibition continues through May 10th, 2018

FEATURING WORKS BY:

Megan Aline

Raquel Alvarez-Sardina

Rich Bowman

Dina Brodsky

John Brosio

Rob Browning

Michael Chapman

Alexander Chistov

Matthew Cornell

Brent Cotton

Kevin Courter

Stephen Coyle

TJ Cunningham

Dimitri Desiron

Juan Escauriaza

Stephen Fox

Jeff Gola

Adam Hall

Jessica Hess

Jane Hunt

Brad Kunkle

Ted Minoff

Carlos Morago

Renato Muccillo

Jesse Powell

Scott Prior

Jeffrey Ripple

Lauren Sansaricq

Denis Sarazhin

Brett Scheifflee

Daniel Sprick

Bennett Vadnais

Jeffrey Vaughn

Melanie Vote

and Aron Wiesenfeld

Cernuda Arte

| Booth ANY220

 

ART NEW YORK 2018 is located at:

Pier 94 | 12th Avenue at 55th Street

New York, NY 10019

 

SHOW HOURS

Thursday, May 3, 2018

5 pm – 8 pm

 

Friday & Saturday

May 4 – 5, 2018

12 pm – 8 pm

 

Sunday, May 6, 2018

12 pm – 6 pm

 

For more information, please contact:

Eric González        (305) 297-6831

Alejandro Simon  (786) 495-6422

Ramón Cernuda   (305) 299-2950